teaching stop animation



teaching stop animation, originally uploaded by zulma.

I’m sorry I’ve been communicating poorly with all of my friends. I’m a visiting artist at Texas A&M University where I gave a talk titled, Video Art from the Borderline and worked with Sarita Elementary Students from a small town also named Sarita, Texas in the nearby town Kingsville.

What did I just say?

I mean, I’m in Kingsville, working with children.
I’m finalizing the DVD this week and visiting with lots of Santa Barraza’s friends. Also, check out the very quick website I made santa at www.SantaBarraza.com

I created a blog for the students work at El Tigre Art Camp.

Please leave some feedback as the students are so proud of their work.

I better get going its late and I feel like I’m working harder than ever.

I don’t know if I’ll go and I don’t know when or if I leave.

July 2nd, 2008, posted by Zulma

Ryder Cooley performs in Albany, NY this friday!



Ryder Cooley, originally uploaded by zulma.

Opening & performance, Friday, 5-8pm
Albany Center Gallery’s River exhibit, featuring the work of Jane Bloodgood-Abrams, C. Ryder Cooley, Kristen DeFontes, Tom Nelson, Jan-Marie Spanard, Deborah Webster and John Whipple.
Throughout the opening there will be a painting performace by Ryder Cooley with Sarah Gonek.

The gallery is located at 39 Columbia Street in downtown Albany.
River exhibit: June 17 - July 28. Gallery hours: Tuesday-Saturday 12-5pm

This Friday, FOURTH OF JULY You are invited to attend an Opening Reception for the River exhibit as part of Albany First Friday at Albany Center Gallery, 39 Columbia Street, Albany NY. A reception will also be held on July 18 from 6-8 p.m. (for those going out of town for the holiday).

The trolley will stop at Albany Center Gallery and other art venues in Albany. Click here for a complete listing of other venues open for 1st Friday, which includes an exhibit by Erika Klein and Joan McKeon just a stone throw away from the gallery.

Parking may be tricky, but there is a parking lot at the Albany Visitors Center at 25 Quackenbush Square, Albany NY 12207. Pass the Visitors Center and take the first right onto Spencer Street. Follow Spencer Street to the end and follow the signs for Visitors Center Parking.

All forms of life are interconnected in a life cycle without beginning or end. No other force of nature illustrates this truth better than the River. The artists in this exhibit use a variety of mediums such as painting, photography, installation, and performance; many find inspiration from the Hudson River.

Jane Bloodgood-Abrams is inspired and deeply connected to landscape of the Hudson River Valley and its artistic heritage. Her multilayered oil paintings capture profound timeless moments. “ While caught in these fleeting moments, stopped along a road at sunset or standing on a bluff above the river, I feel infused by that moment, allowing it to soak in as much as possible, and then later, after some tempering and distillation through my own psyche, I use that memory to create an image. Bloodgood-Abrams is an elected member of the National Association of Women Artists, she received her M.F.A. from SUNY New Paltz and her Bachelor Studio Arts from The College of St. Rose.

C. Ryder Cooley is a multi-media artist, musician and performer. Weaving together chimeric images with found props and forgotten objects, she creates cinematic performances and installation spaces. Most recently, Ryder has been working with artist Todd Chandler on a series of songs and collaborations called Fall Harbor. Dedicated to presenting work in unique and site specific settings, Ryder has participated in a wide range of public works, educational projects and international shows. Awarded Best Performance Artist of the NY Capital District in 2006 & 2007, selected exhibitions have included: White Box and Exit Art in NYC, Theater Artaud in San Francisco, Contemporary Artist Center in N. Adams MA, Yerba Buena Center for the Arts in San Francisco, public art projects in Indonesia, El Salvador, France and the Czech Republic. From 1993-2004 C. Ryder Cooley was an active member of the San Francisco art and music communities. She received a BFA in Sculpture
from the Rhode Island School of Design in 1993, an MA in Combined Media from SUNY Albany in 2006 and an MFA in Integrated Electronic Arts at Rensselaer Polytechnic in 2008. For more information see: http://www.carolynrydercooley.com

Kristen DeFontes’ prints and collages developed during a train trip from Albany to Manhattan in December of 2007. Through the train window, she took inventory of objects and wildlife that interacted with the Hudson River’s natural landscape. Minimal landscapes capturing the sheer essence of the seasonal color changes were the result. “As I was viewing the river from an already interrupted glance through the train window, I began to make correlations between manmade obstructions within the landscape. Structures like bridges, smokestacks and relics of past industry, became part of my consciousness, and I felt the need to juxtapose them with naturally occurring elements”. Kristen DeFontes currently lives in Altamont, NY. She received her B.F.A. from Purchase College, NY.

Tom Nelson has curated numerous Hudson River painting exhibitions for more than a decade such as The Hudson River Artists and the Catskill Mountains, permanent exhibition at the Mountaintop Historical Society, Haines Falls, NY, 2006; Three Hundred Years of Landscape Painting: Selections from the Collection, Albany Institute of History & Art, Summer 1999; Paradise Lost, Contemporary Landscape Art, Dietal Gallery, Emma Willard School, Troy, NY 1997; The Realism Show, TED Gallery, 1989; The Drawings of John Butler Yeats, Albany Institute, 1986 and Leonard Baskin, AIHA, 1986. Nelson’s passion for the Hudson River School not only extends to his curatorial projects, but also to his own painting of the Hudson River landscape. For thirty years, Nelson has been exhibiting his realist paintings of the Hudson River in gallery’s such as BRIK Gallery, Catskill, NY, Coffey Gallery, Kingston, NY, Gerald Peters Gallery, New York, NY, Union College, Nott Memorial,
and The Albany Institute of History & Art, to name just a few. Nelson holds a B.F.A. in painting with departmental honors, from the State University of New York, College at New Paltz.

Known for the photoreal Trompe L’oeil public art paintings commissioned by The City of Albany along the Hudson River Way pedestrian bridge, Jan-Marie Spanard’s personal art making differs in scale and scope. Spanard is the principal artist of AlbanyMural Ltd. located in Albany, New York. AlbanyMural Ltd. is an organization of highly skilled figurative painters who create public artworks, restore historic paintings, and participate in community creative programs. After considerable research, Spanard and her team designed thirty trompe l’oeil still lifes depicting the passage of time in Albany. Spanard’s personal work differs from her public works, and she works in the solitude of the Adirondacks. “In the studio I think about abstract trompe l’oeil painting as a form of communication, as a language. A language that expresses thoughts and feelings that we don’t really know how to communicate through written or verbal language. Abstract trompe
l’oeil for me works as the intuitive language of visual perception. It’s actually a meta-language — a visual expression or language about something that happens inside us when we come face to face with time, or beauty, or natural events”.

Deborah Webster works as an art educator at Sayles School of Fine Arts at Schenectady High School. Her work embodies the unique patterns of thought and energy systems we create in relationships with one another. The last two decades have been spent exploring relationships through narrative images and more recently in abstract form with mixed media visually creating water systems. Deborah’s undergraduate training focused on psychology and art. She holds a master’s degree in painting and has received various grants and awards for arts-in-education programs she has developed. She was the recipient of an NEA sponsored residency at the Art Institute of Chicago for two summers and in 2005, Deborah was awarded a Fulbright Fellowship to study aboriginal art as she traveled through Australia. Her work has been exhibited in several solo shows as well as numerous juried and invitational exhibits in local and national galleries.

John Whipple is a documentary photographer who has been working in his chosen profession for more than 20 years. While he devoted a period of his life to the restoration and sale of vintage American stringed instruments, photography has remained his prime dedication since picking up a camera. Whipple has been documenting people, places, and objects found along the Hudson River for many years.

The mission of Albany Center Gallery is to promote and exhibit contemporary visual art produced by emerging and established artists living primarily in the region and to inspire interest and provide enjoyment to an increasingly diverse audience. For more information, please contact Sarah Martinez at (518) 462-4775. Funding for this exhibit is provided in part by The New York State Council on the Arts, a state agency.

July 2nd, 2008, posted by Zulma

I’m driving 2 Austin, through San Antonio

June 29th, 2008, posted by Zulma

flowers in Texas



flowers, originally uploaded by zulma.

June 28th, 2008, posted by Zulma

me & Venessa



me & Venessa, originally uploaded by zulma.

June 27th, 2008, posted by Zulma

Simon Orta, me & Venessa



Simon Orta, me & Venessa, originally uploaded by zulma.

June 27th, 2008, posted by Zulma

Upstate NY Art News

stro.jpg

(via) Benjamin Verdnock’s nest

——

The Subliminal State wants you to write for the next issue of our newsletter. Deadline for submissions: June 30 (EXTENDED!)

The call:

Living Land
When you listened to the land, what did it say?
A compilation of stories from the land through us

Submit to Subliminal Statements 4: Living Land. The next issue of Subliminal Statements will feature articles on land: its life alone and with ours. This issue will explore how the land lives, interacts with us and how we interact with it. Your articles can be literal, scientific or beyond.

Does land have a voice, can you hear it, are you listening? Do we shape it, or does it shape us?

We want to hear your land stories. Write about where you live, the earth you stand on, the lake, riverbed, mountain, or swamp you know. Tell us what the land says to you, the role it plays in your life.

Please send your articles (750 words or less) to submit@subliminalstate.org by June 30 with the subject “Subliminal Statements Submission.”

edited jointly by society co-director’s Carrie Dashow and Jesse Pearlman Karlsberg.

——

From the STEIM website:

http://www.steim.org/michel/

Michel Waisvisz passed away peacefully in his home last night after fighting the mean cells in his body for the last eight months.

He was born on the 8th of July 1949 and lead STEIM as Director for 27 years. He left us on a day when artists and friends from around the world gathered downstairs to perform for a full-house season-closing concert.

Michel was a musician, visionary and occasional gardener - touched by sound and forever happy to be surprised. He was the source of an enormous surge of energy that continues to flow through STEIM into the world.

We will miss his touch, crackle, inspiration and constant improvisation of the now.

STEIM
June 19, 2008
——

THURSTON MOORE + BILL NACE (Sonic Youth, Vampire Belt, X.0.4., etc).
ROBEDOOR (amazing duo from LA)
POCAHAUNTED (another amazing duo from LA)
CENTURY PLANTS (Albany)

THURSDAY June 26 @ 8PM
UPSTATE ARTISTS GUILD
247 Lark St. Albany

Eric Hardiman
Albany Sonic Arts Collective
www.albanysonicarts.blogspot.com

—–

Hey everyone!  Daniela Kostova and Olivia Robinson has a show opening June
28!  Hope you can make it.  Support our Grads!

Waste to Work: Everyman’s Source
Schenectady Museum & Suits-Bueche Planetarium, 15 Nott Terrace Heights,
Schenectady, NY 12308, Jun 28 2008 2:00PM

Come see this presentation by Olivia Robinson (MFA 2004) and Daniela Kostova
(MFA 2005) entitled Waste to Work, which transforms our everyday sweat into
powerful energy that promises to surprise and illuminate you!

Edison Media Project presents
WASTE TO WORK: EVERYMAN’S SOURCE
With Daniela Kostova and Olivia Robinson

Have you ever thought of sweat as a renewable energy source?  New media
artists Daniela Kostova and Olivia Robinson have.  They turn what most of us
think of as a waste of labor into power we can use to work.

In their performance, “Waste to Work: Everymen’s Source”, Kostova and
Robinson will use video and an installed cabinet of batteries to illustrate
how they developed batteries powered by their own sweat.  The power produced
by the sweat batteries will illuminate a world map of LED shapes that
designate centers of manufacturing and labor.

Sponsors for this Edison Media Project program are NYSCA, 1st Playable
Productions, and Audio-Video Corporation.

Free with museum admission.

For more info go to http://www.schenectadymuseum.org/01_info/01.htm

—-

A legend remade
Half-hour film pieces together life of Troy’s Mame Faye

By DANIELLE FURFARO, Staff writer
Click byline for more stories by writer.
First published: Friday, June 13, 2008

How do you keep a once-famous person from being forgotten? How do you
put a face on someone for whom there are no known photographs and
just barely an official record?

Filmmakers Penny Lane and Anne Marie Lanesey found out while making
their new film, “Sittin’ on a Million,” which explores the reality
and myth of brothel-owner madame Mame Faye, who was once nationally
known and Troy’s most famous proprietor. Now she is but a legend
remembered by dozens of the city’s aging residents.

According to their tales, Mame Faye ran her well-furnished brothel in
downtown Troy from 1906 to 1941. The clients who visited included
politicians, factory workers and military men stopping through Troy.
And, in those days, if you traveled anywhere in the country and told
someone you were from Troy, they’d reply, “Oh, that’s where Mame Faye
is from, right?”

“She was really famous, but then not anymore, and there weren’t
really reasons,” said Lane, 30. “I thought it would be interesting to
make a film about someone about whom there is no historical record.”

Differing versions

In the opening moments of the film, quick shots show a series of
several different actresses sitting on an antique couch, each
proclaiming they are the famous madame.

“There are a lot of variations of what people described her as, so
this was a way to deal with that,” said Lanesey, 28.

Lanesey first learned about Mame Faye from a customer when she was
working at the Ale House while attending Rensselaer Polytechnic
Institute’s iEar program in 2002. She told Lane, also then a student
in the program. The pair decided to make the film, but put it on the
back burner until 2006.

When Lane and Lanesey advertised seeking people who knew about Mame
Faye, they got hundreds of responses, mostly from members of the
World War II generation, who were children in Mame Faye’s heyday.

No one interviewed in the film admitted to having worked for or
having been a patron of Mame Faye’s, although the filmmakers suspect
some did.

“We were disappointed to not find those people, but it really is too
late. If someone was a prostitute in Mame Faye’s house in the 1920s,
she was born in about 1905,” said Lane. “The living voice of this
history is gone or going fast.”

That makes the film even more important, Lane believes.

“She was a force in this city. She spent a lot of money and gave
money to politicians,” Lane said. “Way before Uncle Sam became Troy,
Mame Faye was the face of Troy, New York.”

Options limited

Mame Faye was very different from the modern stereotype of a
prostitute as impoverished, drug-addicted and under the thumb of a pimp.

“The streets of Troy are filled with prostitutes today. They have
such a different struggle than women who were working at the turn of
the century,” said Lanesey. “Back then, police protected them.”

Lane said a film about Mame Faye was way past due.

“If we can have several books about ‘Legs’ Diamond, who killed
people, we can have a half-hour movie about a woman who was a
prostitute,” said Lane. “We tried to see her as a human being and
understand what life was like for this woman, who grew up the
daughter of Irish immigrants and whose options were limited. To try
to look at her choices through today’s societal values is a little
bit off. You have to look at how moral values change over time.”

Kathy Sheehan, registrar and historian at the Rensselaer County
Historical Society, believes “Sittin’ on a Million” is important
because it provides a new way of looking at old Troy.

“A lot of people get that twinkle in their eye when they talk about
Mame Faye,” Sheehan said. “The movie encourages oral history and
encourages a dialogue among people who were around at that time.”

Like Lane’s previous film, “The Abortion Diaries,” “Sittin’ on a
Million” gives a glimpse into an aspect of women’s lives that is
rarely discussed. But this film tries to do so in a historical context.
“Women’s lives changed so dramatically during the time Mame Faye was
around,” said Lane. “Halfway through her time of being a madame, she
got the right to vote.”

Balancing act

A big challenge in the filmmaking process was to balance folklore and
reality.

“Neither one of us wanted to make it just one or the other,” Lane said.

An early cut of the film featured plenty of text about Mame Faye,
whose real name was Mary A. Fahey Bonter, the history of prostitution
in America and the life of women in Troy. But Lane and Lanesey
decided it was cumbersome and removed much of it. They put the
removed text onto a paper insert in the DVD package.

“We did so much research and we felt people needed to get the
information,” Lane said.

Now that the film is completed, Lane and Lanesey are sending it to
various film festivals. It will also play locally on WMHT Ch. 17 in
July.

Danielle Furfaro can be reached at 454-5097 or by e-mail at
dfurfaro@timesunion.com.

Where to watch
SCREENINGS
Two Saturday screenings of “Sittin’ on a Million” at the Sanctuary
for Independent Media have sold out. A Sunday matinee has been added.
When: 1 p.m. Sunday
Where: Sanctuary for Independent Media, 3361 Sixth Ave., Troy
Cost: $10 suggested donation; $5 for students
Info: 331-2831 or http://www.MameFaye.com
ON TV
The film will also be shown on WMHT Ch. 17 as a part of its new local
film series, TvFilm:
When: 10 p.m. Thursday, July 17; midnight Saturday, July 19

All Times Union materials copyright 1996-2008, Capital Newspapers
Division of The Hearst Corporation, Albany, N.Y.

June 23rd, 2008, posted by Zulma

I Love Strawberries

June 22nd, 2008, posted by Zulma

Nao started a band in Los Angeles!

Foxy Moron, originally uploaded by zulma.

called Foxy Moron!

check out the cool flyer!

June 19th, 2008, posted by Zulma

Driving 2 Kingsville , Texas




Driving 2 Kingsville , Texas

Originally uploaded by zulma


June 12th, 2008, posted by Zulma

Portrait of Silvia Elena

Portrait of Silvia Elena, originally uploaded by C-Monster.

Wow, Swoon is an amazing installation artist. I loved this “homenaje” she did for Silvia Elena Morales, the daughter of Ramona Morales from Ciudad Juarez, Chihuahua Mexico.

Ramona Morales is the mother of a femicide victim; One of the “first” most important femicides of the latest strain of murders that continues to plague the area.

Ramona is also a very elderly lady and she suffers from a heart condition.

Some say, a broken heart, since her daughter was brutally raped and murdered in Ciudad Juarez in 1995.

She died the same summer that Selena Quintanilla died. Some say that she looked very much like the famous Tex-Mex singer.

Swoon, a friend of a friend, from New York City, installed this wonderful piece that honored the life and Quinceañera pictures of Silvia Elena.

Ramona is a poor woman so she doesn’t really have that many pictures of her daughter except for those of her Quinceañera. There are no videos, home movies of the life of Silvia Elena. Silvia Elena was only 15 when she was killed, but she already had a job at the 3 hermanos “zapateria” (shoe store) in downtown Ciudad Juarez.

Some people think she was abducted from that area because the downtown is so close to the “zona rosa” where people go to get drunk and all the “cantinas” are there for the sexual deviants of the city to go and waste their life in booze and drugs.

buy this image at honey-space.com

and add your juarez pictures to theflickr pool made by my friend Steev Hise

the following is a re-blog from JustSeeds.org

Portrait of Sylvia Elena
by Swoon and Tennessee Jane Watson
May 30 - July 5, 2008
Opening reception: Friday, May 30, 6-8pm

Honey Space
148 11th Ave. btw 21st & 22nd St
New York, New York

Justseeds Collective member Swoon is installing a piece she collaborated on with Tennessee Jane Watson, regarding the Femicides in Ciudad Juarez, Mexico and that occur all along the borders of Central America. This piece is also, currently, in San Francisco at the Yerba Buena Center for the Arts.

June 10th, 2008, posted by Zulma

Judy Baca performs video @ Disney Music Hall

This Friday.

I want to see Juanita Chavez again and go to one of her famous friday potlucks, but it looks like Henry Estrada is going to check out SPARC’s presentation at the Disney Music Hall.

I’m going to have to check it out.

UCLA faculty collaborate on multimedia symphony at Disney Concert Hall

Mexico City’s Philharmonic Orchestra debuts at Walt Disney Concert Hall performing an exquisite repertoire of master composers Carlos Chávez, Arturo Márquez, José Pablo Moncayo and Silvestre Revueltas. Led by Maestro Enrique Diemecke, Mexico’s Philharmonic will premiere UCLA Professor Steven Loza’s América Tropical—a piece interpreted by Los Ángeles Opera mezzo-soprano Suzanna Guzmán and accompanied by a narrative and multimedia imagery created by UCLA Professors Jose Luis Valenzuela and Judy Baca. The presentation will feature a Mariachi concerto by Los Camperos de Nati Cano and a narration for Amèrica Tropical by actor Edward James Olmos.

América Tropical is inspired by the educational and artistic work of muralist David Alfaro Siquieros in Los Angeles during the 1930s. The piece, which will have its premiere on June 6, is a tone poem with narration embedded in a visual multimedia display of images of the art of Siqueiros and others—relating them to historical events in Mexican/Chicano Los Angeles. The multisensory presentation illustrates how such artistic movements influenced other sectors of the city and the world. Amèrica Tropical is a multimedia symphonic project created by three artist/researchers: Steve Loza, UCLA Department of Ethnomusicology; José Luis Valenzuela, UCLA Department of Theater; and Judy Baca, UCLA Department of Chicana/o Studies. Funding for the project was made possible, in part, through the UCLA Arts Initiative, which is supported by the Chancellor to stimulate collaborative programs in the arts.

Under the auspices of The Latino Museum and other sponsors, the concert will give life to some of the greatest Mexican classical compositions of the twentieth century. Danzón, Huapango and La Noche de los Mayas exemplify the ability of their creators to fuse European, American and indigenous rhythmical, instrumental and compositional traditions—defining a uniquely Mexican modernist style.

Mexico City’s Philharmonic Orchestra occupies a very important place in Mexico’s rich musical life since the 1970s and it is regarded as one of the most prominent orchestras of Latin America. Its debut in Los Angeles closes a binational tour led by internationally acclaimed Maestro Enrique Diemecke featuring Los Angeles based Mariachi Los Camperos de Nati Cano.

Tickets ($20 - $120) are on sale now at Ticketmaster 213.365.3500

WHO: MEXICO CITY PHILHARMONIC ORCHESTRAGUEST CONDUCTOR ENRIQUE DIEMECKE

WHEN: FRIDAY, JUNE 6, 2008 AT 8:00 PM

WHERE: WALT DISNEY CONCERT HALL, 111 S. Grand Ave., LA, CACONTACT: For concert and performers: Ana Valenzuela, Pescador Communications & Associates, LLC. Tel. 213.590.8727; email: pca.acv@gmail.com

UCLA faculty: Steve Loza: Carolyn Campbell, ccampbel@arts.ucla.edu, (310) 825-6540

José Luis Valenzuela: Teri Bond, teri@tft.ucla.edu, (310) 206-3235

Judy Baca: Letisia Marquez. lmarquez@support.ucla.edu, (310) 206-3986 

UCLA Faculty Biographies:

Steven LozaProfessor of ethnomusicology at UCLA, where he has been on the faculty for twenty-three years, and adjunct professor of music at the University of New Mexico, where he formerly directed the Arts of the Americas Institute. He has conducted extensive research in Mexico, the Chicano/Latino U.S., Cuba, among other areas, and has lectured and read papers throughout the Americas, Europe, and Asia. He has been the recipient of Fulbright and Ford Foundation grants among numerous others, and has served on the national screening and voting committees of the Grammy Awards for fifteen years. Aside from UCLA and the University of New Mexico, he has taught at the University of Chile, Kanda University of International Studies in Japan, and the Centro Nacional de las Artes in Mexico City. His publications include two books, Barrio Rhythm: Mexican American Music in Los Angeles (1993) and Tito Puente and the Making of Latiin Music (1999), both published by the University of Illinois Press, in addition to four anthologies, Musical Aesthetics and Multiculturalism in Los Angeles (UCLA Ethnomusicology Publications), Musical Cultures of Latin America: Global Effects, Past and Present (UCLA Ethnomusicology Publications, 2003), Hacia una musicología global: pensamientos sobre la etnomusicología (CENIDIM/CONACULTA, Mexico, in press), and Religion as Art: Guadalupe, Orishas, Sufi (University of New Mexico Press, in press). Loza has performed a great amount of jazz and Latin jazz, has recorded two CDs, and has produced numerous concerts and arts festivals internationally, including his role as director of the UCLA Mexican Arts Series from 1986-96 and co-director of the Festival de Músicas del Mundo in Mexico City in 2000.

Judy BacaSince 1976, Judith F. Baca has served as the Founder/Artistic Director of the Social and Public Art Resource Center (SPARC) in Venice, California. She has taught studio art as a Professor of Fine Arts for the University of California since 1980. As of 1996, she concurrently holds two academic appointments: as Vice Chair of UCLA’s Cesar Chavez Center and as Professor of Art for World Arts and Cultures at UCLA.

As a visual artist and one of the nation’s leading muralists, Judith F. Baca is best known for her large-scale public art works. In her internationally-known The Great Wall of Los Angeles, a landmark pictorial representation of the history of ethnic peoples of California from their origins to the 1950’s, Baca and her planning and painting teams of approximately 700 participants produced 2,435 running feet of murals in segments over seven summers, from 1976 to 1984. The Great Wall engaged over 400 young people, 14-21 years of age, of diverse cultural and economic backgrounds. Working with scholars, oral historians, local artists and hundreds of community members, it is one of the most acclaimed monumental cultural projects in the United States dealing with interracial relations. It provides a vibrant and lasting tribute to California and the unrecognized ethnic groups who have shaped this state’s history. Its half-mile length in the Tujunga wash drainage canal and its accompanying bike trails and park in the San Fernando Valley hosts thousands of visitors every year. Restoration of the older elements of The Great Wall, along with the research and design for its continuance into the 1990’s is currently underway.

Baca founded the first City of Los Angeles mural program in 1974. It produced over 400 murals and employed thousands of local participants during its ten years of operation. In 1976, she founded the Social and Public Art Resource Center (SPARC) in Venice, California, where she still serves as the Artistic Director. In 1988 at the request of Mayor Tom Bradley, she developed a new city mural program based on the previous successful model of The Great Wall of Los Angeles. This program, entitled Great Walls Unlimited: Neighborhood Pride Program, has produced over 85 murals in almost every ethnic community in Los Angeles. It has provided training for hundreds of artists and youth, making it one of the country’s most respected mural education programs.

Baca has exhibited nationally and internationally. Her work appears in the museum collections of the National Museum of American Art at the Smithsonian and at the Wadsworth Antheneum in Hartford, Connecticut. The core of both her public and personal work is based on the belief that art is a tool for social change and self-transformation, capable of fostering civic dialogue in the most uncivil places.

José Luis ValenzuelaProfessor of Theater at the School of Theater, Film and Television at UCLA. Valenzuela has directed at several prestigious regional venues including the Los Angeles Theater Center where he developed the Latino Theater Lab; El Teatro de la Esperanza; Mark Taper Forum and Teatro Jorge Negrete where his production of Hijos won Drama-Logue Awards for Best Direction, Ensemble and Actor. His international theater directing credits include Henrik Ibsen’s Peer Gynt at the Norland Theatre in Norway and Manuel Puig’s Kiss of the Spider Woman at the National Theatre of Norway. He serves as the Artistic Director of the Latino Theater Company in Los Angeles, a group of artists committed to creating and producing new works that examine in bold contemporary terms the Latino/a experience in the United States. He directed the play and feature film Luminarias, that challenged Latina stereotypes. The film starred Cheech Marín, Scott Bakula and Lupe Ontiveros. Valenzuela directed the world premiere of Dementia, written by Evelina Fernandez, for the Latino Theater Initiative. The play was the first of its kind to tackle the HIV/AIDS issue in the Latino community and won the 2003 GLAAD Award for Outstanding Theater Production in Los Angeles. He was honored with the 2003 Hispanic Heritage Month Local Hero of the Year Award recognizing distinguished citizens for contributions to improving the quality of life in their communities.

June 4th, 2008, posted by Zulma

Dulce Pinzon @ Bronx Museum

Dear friends,

I will be having a show opening this Sunday June 1st at The Bronx Museum. I will be showing 3 images of my new project: ?People I like? I hope you can make it!

How Soon is Now?
On View: June 1- August 18, 2008 Open House: Sunday, June 1, 2008
2 to 6 pm How Soon Is Now? features an array of work by 36 artists from Artist in the Marketplace (AIM), one of the most celebrated and competitive programs for emerging artists in the country. Organized by Erin Riley-Lopez, Assistant Curator Negar Ahkami, Blanka Amezkua, Keliy Anderson-Staley, Daniel Bejar, Charles Beronio, Matthew Burcaw, Si Jae Byun, Brendan Carroll, Vidal Centeno, Margarida Correia, R di Martino, Emcee C.M., Master of None, Jason Falchook, Michelle Frick, David Gilbert, Kyung Woo Han, Cosme Herrera, Catherine Kunkemueller, Luke Lamborn, Sujin Lee, Bill Lohre, Rebecca Loyche, Giuseppe Luciani, Brian Lund, Kelli Miller, Laura Napier, Dulce Pinzon, Christy Powers, Risa Puno, Ronny Quevedo, Sa?dia Rehman, John Richey, Irys Schenker, Mark Stafford, Jeanne Verdoux, and Angie Waller
For more information about The Bronx Museum of the Arts events, visit http://www.bronxmuseum.org

Dulce Pinzon

The Bronx Museum of the Arts

1040 Grand Concourse

Bronx, New York 10456

tel/ 718.681.6000

fax/ 718.681.6181

June 2nd, 2008, posted by Zulma

Yoko & Ayo performing @ Smithsonian

“from nothing - redemption found in artistic practice that creates new from old, beauty from detritus, and life where it is least expected.”
this performance is going to be incredible and hope you can join us!

ayo ngozi
from nothing: a multimedia performance
with
Ashley Brockington
Takeyah Young
Tosha Grantham
Yoko K., original music and sound design
Basel Action Network, video
Saturday, May 31 at 2:00pm-2:45pm (on time)
National Museum of African Art, Smithsonian Institution (950 Independence Avenue, SW, Wash DC) - downstairs gallery space
Free and open to public (family friendly)
“from nothing” is a site-specific performance inspired by and performed within El Anatsui’s current exhibition of sculpture, Gawu. This performance is a multimedia experience of the African practice and genius of ‘making something out of nothing,’ while it also critiques the continued devastation of the African environment–by the West, with the complicity of African enterprise. The performance refers to the ongoing, massive dumping of toxic waste from abroad in Africa as a metaphor for a larger destruction. It also speaks to the possibilities of transformation.
A collaborative score with Japanese composer Yoko K. creates a rich soundscape, incorporating live digital sound captured during the performance, to create an improvisational audio environment that organically grows as the performance unfolds. from nothing also includes video images provided by Basel Action Network, the world’s only organization focused on confronting environmental injustice globally and the detrimental economic impact of toxic trade (poison waste products and technologies).
“from nothing” is a conversation about over consumption and waste–and the redemption found in artistic practice that creates new from old, beauty from detritus, and life where it is least expected.
“from nothing” will be performed within El Anatsui’s exhibition Gawu at the Smithsonian Institution’s National Museum of African Art (950 Independence Avenue, SW, Washington DC) on Saturday, May 31 at 2:00pm-2:45pm.
For more information about Gawu, visit http://africa.si.edu/exhibits/gawu/index.html.
Thank you,
Yoko K.
aphrodizia.net

June 2nd, 2008, posted by Zulma

BURST

Forward:

Dear frenemies. I am performing a work in progress (this Friday and Saturday) that is part of a group show hosted and curated by my pals, The Poor Dog Group. You may have seen them at the REDCAT, or at the Mami Wata festival at the Fowler Museum where they won a prize for Wettest Group in the juried procession.

The piece is called BURST. It’s the first in a series of interactive performance works using mostly found, recycled or re purposed materials. For further information click on the following :

http://www.plays411.com/newsite/show/play_info.asp?show_id=1568

Love,

marcus

Dog @ The Elephant: A month of Eclectic Performance
(Performance)

Previews
no preview

Runs
Thu, May 22 – Sat, May 31
Thurs, Fri, Sat 22-24 @ 8pm

Thurs, Fri, Sat 29-31 @8pm
Show Calendar

Buy Tickets
$20 general admission @the door
$15 reserved tickets and theater company members
$10 students & seniors
$10 if you come @ 10pm for music

Special Events
Red Light District plays May 23rd
Gene Coye plays May 22nd
music starts @ 10

Special Show Info
Running time: 120 minutes.
There will be an intermission.
open doors the entire night

Website

Elephant Performance Lab
6324 Santa Monica Blvd.
Enter at 1078 No. Lillian Way
Los Angeles, CA  90038
Ample Street Parking
Area Map

Special Theatre Info
The theatre has concessions.

Reservations
(323) 960-4443

Dog @ The Elephant: A Month of Eclectic Performance and Music

This is an opportunity for local artists to share work and conversation over drinks @ the Elephant performance lab. Most performances are geared towards the avant and exploration of hybrid theater forms and dance. At 10pm every night there will be music and merryment. Come join us and next time maybe your work will be shown.

Installation by Vanessa Porter 22-31

May 22-24
8:00 – Early Morning Opera
(multi media performance)
8:45 - Candice Palmer (dance)
9:00 - Ten West (performance)
10:00 – Lisn and Gene Coye (music)
*10:00 Fri. 23rd Red Light District

May 29-31
8:00 – Wen-Chu Yang (dance)
8:15 - Samantha Giron Dance Project
(dance)
8:30 - Marcus Kuiland-Nazario
(performance)
9:00 – Doug Kearney (published poet)
9:30 – Jenae Ferguson (dance)
9:45 - Erik Speth (dance)
10:00 – Lisn (music)

June 2nd, 2008, posted by Zulma